Announcements

Constance Marie Fulmer (1938-2020)

In Memoriam

Constance Marie Fulmer (11 November 1938 – 17 March 2020)

by Donelle Ruwe

Constance Fulmer, a mainstay of the British Women Writer’s Conference (BWWC) and an enduring role model, passed away after a brief bout with cancer. She died peacefully in her home in Malibu, California, on March 17, 2020. Constance and her partner Margaret Barfield were life-long members of the Association. Constance attended the second annual conference in 1993 and thereafter came to almost every conference for the next 27 years.

Constance often presented on the two loves of her scholarly life: Edith Simcox and George Eliot. Her scholarly dedication culminated in two major publications: George Eliot’s Moral Aesthetic: Compelling Contradictions (2019) and A Monument to the Memory of George Eliot: Edith S. Simcox’s Autobiography of a Shirtmaker (co-edited by Constance Fulmer and Margaret Barfield, 1998). The latter is a magisterial work of literary recuperation of Edith Simcox (1844-1901), a suffragist, Socialist, activist, and author. In addition to publishing books and multiple periodical essays, Simcox and her friend Mary Hamilton founded the successful shirtmaking co-operative, Hamilton and Company, to employ women and offer them decent working conditions. Simcox met George Eliot in 1872 when she was preparing her review of Eliot’s Middlemarch. Simcox adored and admired Eliot, who was 25-years older than she, and although her “love-passion” was not reciprocated, Simcox made it her life’s mission “to love rather than be loved” and to shape her life and work as a tribute to Eliot. 

It is no wonder that Constance was drawn to the works of George Eliot. Constance daily lived the ethics that Eliot espoused. As Constance wrote, the foundation of Eliot’s moral identity is charity, the act of “solidarity or reaching out to others.” I recall a particular moment at the 2012 BWWC at the University of Colorado, Boulder. As I walked into the conference hotel, I saw Constance carrying out containers of food from the hotel restaurant.  She handed out sandwiches and warm meals to a group of homeless people sitting in the curbside shade of the hotel entrance. It was a simple act of generosity, but not one that I had considered doing myself until that moment.

Constance Fulmer saw people and their needs, and she acted on their behalf. This is one of the many qualities that made her such a gifted mentor to students. Constance embodied the spirit of the BWWC, which is to chip away at the professional divide between graduate students and experienced faculty, to provide mentorship for early career scholars of all levels, and to create a more inclusive scholarly community. At conferences, she was beloved for her approachability and genuine desire to talk with graduate students about their work and their lives. As a tribute to her legacy, the BWWA Executive Board voted unanimously to retitle the Association’s mentorship award “The BWWA Constance Fulmer Award in Mentorship.” In her final year, she was unable to attend the BWWC hosted by Texas Christian University, but she was there in spirit and already fostering her legacy of mentorship and generosity. She sent in her stead a group of young women from Pepperdine, and it was their first scholarly conference. It was no surprise to hear how fondly they spoke of their mentor and to see how well they represented her.

Constance had an extraordinary academic life, especially for a woman born in the 1930s. She received a BA in English with a minor in Psychology from Lipscomb University, a Master’s in Education from Harding University, and a Master’s in Mathematics from the University of Alabama. She received a third Master’s degree in English and eventually a Ph.D. from Vanderbilt University. She taught at Lipscomb University for twenty years until accepting, in 1980, the position of Director of Continuing Medical Education at Good Samaritan Hospital in Lexington, Kentucky. In 1990 she joined the faculty of Pepperdine University. At Pepperdine she accepted a variety of administrative roles: the Blanche E. Seaver Chair in English Literature, the Divisional Dean of the Humanities and Teacher Education Division, and the Associate Dean of Seaver College from 2007 to 2016. Beyond Pepperdine, Dr. Fulmer was a board member of the Victorian Interdisciplinary Studies Association of the Western United States.

For those who want to honor Constance with a financial contribution, you can contribute to a scholarship that she established in honor of her parents, The Clyde E. Fulmer and Constance R. Fulmer Scholarship, c/o The Development Office of Lipscomb University, One University Park Drive, Nashville, Tennessee 37204.

Announcements, BWWC

BWWC 2020 Travel Awards

“Heather in Bloom, Roseberry Topping, North Yorkshire, England.” Credit: John Robinson/PA Wire. (https://www.itv.com/news/2014-11-10/image-which-captured-fleeting-moment-of-beauty-in-scottish-highlands-scoops-photography-prize/)

18th- and 19th-Century British Women Writers Association

Travel Award Application

Due January 17, 2020

BWWC 2020 

Texas Christian University

Fort Worth, TX

As part of its mission to encourage conference participation by early-career scholars and contingent faculty, the British Women Writers Association offers 4 travel grants to help assuage the costs of travel for BWWC participants. These awards are offered for the following categories:

  • Independent Scholar/Contingent Faculty
  • Graduate Student Travel Awards for work in the following periods:
    • early to mid 18th-century
    • late 18th-century to early 19th-century
    • mid 19th-century to early 20th-century

Graduate students, independent scholars, and contingent faculty are invited to apply for a BWWA travel grant for BWWC 2020. The deadline for travel grant submissions is January 17th. 

To qualify for a BWWA travel grant, applicants must:

  1. Be currently enrolled as a full-time graduate student;
  2. Be currently employed in a non-tenured, part-time, or adjunct position; or
  3. Have completed their doctorate within the last ten years and be unaffiliated with any university.

Please submit the following information as a single file attachment to Courtney Hoffman at courtney.hoffman@lmc.gatech.edu by January 17, 2020:

  1. A brief cover letter specifying:
    1. Award being applied for: Graduate Student Travel Award or Independent Scholar/ Contingent Faculty Travel Award and the period that best fits the project
    2. Information regarding your previous affiliation with the BWWA
    3. Anticipated travel distance
    4. Any other pertinent details of your employment
  2. A copy of your conference proposal

Submission Directions:

  1. All of the application documents should be part of one single attachment file.
  2. The attachment should be an MS Word doc or Adobe pdf.
  3. The file name should start with the applicant’s last name (e.g., smith_bwwcapp.doc).
  4. The subject line of the email should indicate:
    1. Award being applied for: Graduate Student Travel Award or Independent Scholar/ Contingent Faculty Travel Award
    2. Period that best fits the project
Announcements, CFP

CFP NASSR 2020: “Visions”

You are invited to submit a proposal for the 28th Annual Conference of the North American Society for the Study of Romanticism (NASSR). The NASSR conference, which will bring together 300-400 scholars to discuss literature, philosophy, art, and culture c. 1770-1840, will take place at the University of Toronto, Ontario on August 6-9, 2020.

The deadline for general submissions is 24 January 2020.

CONFERENCE WEBSITE: http://sites.utoronto.ca/wincs/nassr2020

Keynote Speakers:
Elizabeth Maddock Dillon (Northeastern University)
Martin Myrone (Tate Britain)

Topics may include (but are not limited to):

  • Re-envisioning Romanticism: looking back and looking forward
  • Visions and the visionary: perception, prognostication, projection, speculation, the speculative
  • Ways of looking: reading, conceptualizing, observing, peeping, gazing, categorizing, examining, recognizing and misrecognizing
  • Visual culture, philosophy, and aesthetics: objects of sight, spectacle, the spectacular, the sublime and the beautiful
  • Reading methods and histories: careful, close, distant, surface; plagiarism, copyright law
  • Print culture in its social, theoretical, and physical aspects (e.g. text, design, structure, layout); manuscripts, letters, journals, scrapbooks, books, journals, newspapers
  • The seen and the unseen: noumena, phenomena, the spirit world, apparitions and appearances
  • Romantic iconoclasm and anti-representationalism; ocularcentrism and “the tyranny of the eye”
  • Visual communication: text, numbers, notation (e.g. musical), images, sign language, placards, banners, flags, gestures, hieroglyphs, emblems, insignia
  • Questions of form and representation
  • Fashionable looking: costume, hair, makeup, manner, style, taste, places to see and be seen
  • Visualizing gender and sexuality: identity, performance, politics
  • Visual and scenic arts: sculpture, painting, illustration, graphic satire, print shops, pornography, broadsheets, dioramas, panoramas, architectural and landscape design
  • Theatre and performing arts: set design, lighting, visual effects, costume, body movement, dance, pantomime, attitudes, tableaux vivants
  • Art collection and assessment: museums and curation, connoisseurship, formal and evaluative concerns (e.g. light, color, pattern, shape, scale, proportion)
  • Visualizing class: social hierarchies and signifiers (e.g. clothing, heraldry, pageantry), occupational and economic segregation
  • Instruments of looking: lenses, spectacles, quizzing glasses, spy glasses, Claude glasses, prisms, mirrors, telescopes, microscopes, orreries, windows
  • Forms of illumination and darkness: lightning, electricity, candlelight, lamps, gas light, spotlights, limelight, torches, fireworks; shade, shadow, twilight, gloom, obscurity
  • Religious vision(s): prophecy, revelation, enthusiasm, sermons and hymns, public and private devotion, natural and revealed religion
  • The science of the eye: vision, optics, visual anatomy, medicine, pathology, disability, blindness
  • Data visualization (e.g. land, economy, population studies): mapping, cartography, geography, geolocation, charts, diagrams, categorization, numerical and pictorial statistics
  • Visualizing race: slavery, racism, racialization, minoritization
  • Vision and ecopoetics: seeing nature (vistas, prospects, the picturesque); noticing and reading features of land, water, and sky; watching weather and recognizing climate; the animal gaze
  • Envisioning space and place: the local and the global, home and abroad, the peripheral and transperipheral
  • Envisioning (the ends of) empire: imperialism, colonialism, sites and sights of war; decolonization, indigenization
  • Political and military forecasting, strategy, optics, campaigns, battlegrounds, political theatre
  • Imagining the future of Romanticism; strategizing its work in the humanities, in the university, and in society

EMAIL CONTACT: nassr2020vision@gmail.com

NASSR2020Poster

Announcements, CFP

Love Among the Poets: The Victorian Poetics of Intimacy (Proposed Volume)

Love Among the Poets: The Victorian Poetics of Intimacy

Proposed volume of essays, edited by
Pearl Chaozon Bauer (Notre Dame de Namur University)
Erik Gray (Columbia University)

“Victorian poetry,” as Isobel Armstrong observes, “is unparalleled in its preoccupation with…what it is to love.” For this collection, we are seeking essays that explore the connection between poetry—especially lyric poetry—and the experience of love or intimacy. Some questions that contributors might address (though we welcome all approaches and ideas): How is intimacy represented, or created, by the forms, rhythms, and genres of Victorian poetry? What resources does poetry offer for expressing forms of love that fall outside the traditional marriage plot of the Victorian novel? How did love poetry circulate in the Victorian era? How does it relate to other forms of Victorian art and culture? We are looking for essays that consider a wide variety of intimate relationships: not just sexual or erotic love, but friendship, divine love, marriage, and family love, among others.

Please submit a 500-word abstract no later than August 1, 2020. If you already have a version of your argument drafted—a conference paper, for example, or a dissertation chapter—you are warmly encouraged to submit that together with the abstract. We are in contact with a university press; our aim is to submit a proposal for the collection in the fall of 2020.

If you have any questions, please feel free to contact the editors:
Pearl Chaozon Bauer (pchaozonbauer@ndnu.edu)
Erik Gray (e.gray@columbia.edu)

Announcements, BWWC

Travel Grant App, BWWC ’19, Due 4/1

Graduate students, independent scholars, and contingent faculty are invited to apply for a BWWA travel grant for BWWC 2019. The deadline for travel grant submissions is April 1st. 

To qualify for a BWWA travel grant, applicants must:

  • Be currently enrolled as full time graduate students;
  • Be currently employed in non-tenured, part-time, or adjunct positions; or
  • Have completed their doctorates within the last ten years and be unaffiliated with any university.

Please submit the following information as an attachment to lisa.hager@uwc.edu by April 1, 2019:

  • A copy of your conference proposal
  • A brief cover letter specifying:
  • Award being applied for: Graduate Student Travel Award or Independent Scholar/ Contingent Faculty Travel Award
  • Information regarding your previous affiliation with the BWWA
  • Anticipated travel distance
  • Any other pertinent details of employment.

Submission Directions:

  • All of the application documents should be part of one single attachment file.
  • The attachment should be a MS Word doc or Adobe pdf.
  • The file name should start with the applicant’s last name (ex. smith_bwwcapp.doc).
  • The subject line of the email should indicate:
    • Award being applied for: Graduate Student Travel Award or Independent Scholar/ Contingent Faculty Travel Award
    • Period that best fits the project: early to mid 18th-century, late 18th-century to early 19th-century, mid 19th-century to early 20th-century
Alicia Carroll

Associate Professor
Faculty Advisor
BWWC 2019
English
9030 Haley Center
Auburn University
Auburn AL 36849
Office phone: 334-844-9058
Fax: (334) 844-9027
Announcements

Mary Hays: Life, Writings, and Correspondence

Announcement from Timothy Whelan:

Mary Hays: Life, Writings, and Correspondence presents the most complete accounting to date of the life and career of Mary Hays (1759-1843). The website is designed to enable students and scholars to gain open and free access to all pertinent materials related to Hays’s familial and social circles, her writings, and wide correspondence, including some 90 letters by her close friend Eliza Fenwick (1766-1840) appearing for the first time in their entirety. More than 400 letters, fully annotated, are included, along with complete texts of all her periodical writings and all reviews of her own writings, as well as an extensive genealogy of Hays never before seen, the latter owing much to the diary of her long-time friend and relation through marriage, Henry Crabb Robinson (1775-1867). The site has been created, compiled, and maintained by Timothy Whelan, Georgia Southern University, and can be found at http://www.maryhayslifewritingscorrespondence.com

Announcements, BWWC, CFP

BWWC 2019: “Movement,” April 25-27

Julius_Caesar_Ibbetson_-_George_Biggins'_Ascent_in_Lunardi'_Balloon_-_WGA11831The 2019 British Women Writers Conference will take place on the plains of Auburn Alabama at Auburn University. The conference will take place from April 25 through Saturday, April 27, 2019. The theme for the conference is “movement.”

From transatlantic crossings, transnational diasporas, mobility studies, and the organization of literary history, the idea of movement is rich in significance for the study of British women writers. Our conception of both periods and places is widely defined, and we invite papers that will contribute to a rich discussion of the diversity of women’s writing. Please send a 500-word abstract and a brief bio to bwwc2019@gmail.com by January 5, 2019 [extended deadline].

For more information, see our CFP on the conference website.

 

Image credit: Julius Caesar Ibbetson’s painting “George Biggins’ Ascent in Lunardi’ Balloon” (1785), [Public domain], via Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Julius_Caesar_Ibbetson_-_George_Biggins%27_Ascent_in_Lunardi%27_Balloon_-_WGA11831.jpg

Announcements, BWWC

Travel Grant Info, BWWC 2018, Due 2/16

austin-247_640Graduate students, independent scholars, and contingent faculty are invited to apply for a BWWA travel grant for BWWC 2018. The deadline for travel grant submissions is February 16, 2018. The details below are also listed on the conference website.

To qualify for a BWWA travel grant, applicants must:

• Be currently enrolled as full time graduate students;
• Be currently employed in non-tenured, part-time, or adjunct positions; or
• Have completed their doctorates within the last ten years and be unaffiliated with any university.

Please submit the following information as an attachment to lisa.hager@uwc.edu by February 16, 2018:

• A copy of your conference proposal
• A brief cover letter specifying:
– Award being applied for: Graduate Student Travel Award or Independent Scholar/ Contingent Faculty Travel Award
– Information regarding your previous affiliation with the BWWA
– Anticipated travel distance
– Any other pertinent details of employment.

Submission Directions:

• All of the application documents should be part of one single attachment file.
• The attachment should be a MS Word doc or Adobe pdf.
• The file name should start with the applicant’s last name (ex. smith_bwwcapp.doc).
• The subject line of the email should indicate:
– Award being applied for: Graduate Student Travel Award or Independent Scholar/ Contingent Faculty Travel Award
– Period that best fits the project: early to mid 18th-century, late 18th-century to early 19th-century, mid 19th-century to early 20th-century

Announcements, BWWC

Info for BWWC 2017 Attendees

Dear BWWC attendees,

The week of the 25th anniversary conference of the BWWC is [here!], and we’re sending along our welcome email with special events information so you may plan your stay.
We wish you safe travels and look forward to welcoming you in Chapel Hill! Please email us with questions or concerns anytime.
Doreen & Lauren
***

Find all conference updates at bwwc17.web.unc.edu.

Our hashtag for live-tweeting and live-gramming is #BWWC2017Feel free to list your twitter handle in your PowerPoint or mention it before you begin your talk so attendees may tag you as they live-tweet your session. Thank you for supporting us online!
Follow us on Twitter @BWWC2017 and on Instagram as bwwc2017.

Please see the latest conference program at https://bwwc17.web.unc.edu/program/
***
WEDNESDAY THROUGH SUNDAY
 
Self-Guided Tour of the Ackland Art Museum, Wednesday through Sunday

The BWWC Steering committee proudly presents a tour of the Ackland Art Museum to accompany the conference. All conference attendees are invited to visit these pieces in person during their stay in Chapel Hill or to study these works on our website. The Ackland is just a few steps from the Carolina Inn and is open from 10am to 5pm on Wednesdays through Saturdays, and from 1pm to 5pm on Sundays. Admission is free.

***
 
WEDNESDAY
 
Pre-Conference Reception on Wednesday, 7pm
We’re starting this year’s series of events with a Pre-Conference Reception at Hyde Hall on the UNC Campus on Wednesday evening at 7pm. This event is included in your registration. Hyde is less than five minutes away from the Carolina Inn and we will mark the way so you can find it easily. Please see a walking map here.
***
THURSDAY
 
Breakfast at the Carolina Inn, 7:00am-8:30am (included in your registration)
 
Opening Reception on Thursday, 7pm

We invite you to join us for our Opening Reception buffet in the splendid John Lindsay Morehead Lounge, Graham Memorial, on the UNC campus, at 7pm on Thursday. A dinner ticket can be purchased for $40 at the registration desk (cash or check only). Graham Memorial is right across from Hyde Hall, and we will mark the way for you.

Pub Crawl on Thursday, 9pm

Please join us for a Pub Crawl on Thursday evening, following the Opening Reception. It is the perfect opportunity to socialize with fellow BWWC attendees and explore Chapel Hill’s bar scene. We are meeting at 9pm on Thursday, right outside Graham Memorial on the UNC campus. More information about the different pubs here. We’re happy to organize walking groups and Uber rides for attendees to ensure that everyone gets home safely.

***
FRIDAY

Breakfast at the Carolina Inn, 7:00am-8:30am (included in your registration)
 

Digital Paleography: A Beginner’s Workshop on Text Encoding and MS Letters, Friday, 10:30am

Registered workshop attendees may meet Rae Yan and Grant Glass at 10:15am outside the Carolina Inn to join a walking group to the Genome Science building where the workshop will be held. Click here for more information about the workshop.

Rare Books Exhibit, Friday, 2:30pm-4:30pm
Conference attendees wishing to explore the Rare Books Exhibit may join several walking groups that will start at the Carolina Inn’s main entrance and head for the Wilson Special Collections Library. Dr. Paula Feldman (University of South Carolina) has kindly agreed to present remarks at 4:00pm.
  • 2:15 Group led by Andrew Kim
  • 2:45 Group led by Anne Fertig
  • 3:15 Group led by Ally Palisoul
  • 3:45 Group led by Michele Robinson
Cocktail Hour and Banquet, Friday, 7pm-10pm

Our celebratory banquet is included in your conference registration and will be held at the Carolina Inn at 8pm. Conference attendees wishing to bring a non-registered guest to the banquet may purchase a banquet badge at the registration desk for $40. The banquet is preceded by a cocktail hour (cash-bar) and Chapel Hill’s famous bluegrass music program, “Fridays on the Front Porch,” at the Carolina Inn. Those in the mood for a light stroll after the evening meal are welcome to join Jane S. Gabin for a candle-light campus tour at dusk.

***
SATURDAY
 
Breakfast at the Carolina Inn, 7:00am-8:30am (included in your registration)
 
Performance of “The Song Cycles of Charlotte Smith’s Beachy Head,” Saturday, 1:30pm
Elizabeth Dolan (Lehigh University) has been working with composer Amanda Jacobs to set Smith’s Beachy Head for piano and mezzo soprano. Together they identified twenty-six songs in five cycles, which Amanda has set beautifully to music, accompanied by singer Shelley Waite. Jacobs and Waite will present all twenty-six songs for the very first time. The performance takes place in the Hill Hall auditorium (Hill Hall is across from Hyde Hall).
Plenary: Supporting Contingent Faculty, Saturday, 3:15pm
Drs. Miranda Yaggi (Indiana University), Cynthia Current (University of North Carolina at Chapel Hill), and Jenny Pyke (Wake Forest University) invite scholars at all career stages to join in a robust, no-holds-barred brainstorming session centered around supporting the research of non-tenure-track professionals. More information on the session here.

Transgender 101 Workshop, Saturday, 3:15pm

Dr. Lisa Hager (University of Wisconsin, Waukesha) invites you to participate in this special workshop on transgender and gender non-conforming identities, issues, lives, and activism in our workplaces and communities. More information here.
British Women Writers Association’s 25th Anniversary Celebration: Champagne, Cupcakes, & Awards, Saturday, 7pm
Please join us once more in the John Lindsay Morehead Lounge, Graham Memorial, for an hour of delicious desserts, the official announcement of our four BWWA travel award winners, reminiscences spanning 25 years of BWWA conferences, and a preview of the 2018 BWWC at Austin, Texas.
Dinner Groups on Saturday, 8pm
If you’re free on Saturday night, please sign up for one of our 14 dinner groups to enjoy a great meal with friends old and new. The dinner groups will meet at 8pm outside Graham Memorial’s main entrance and head out at around 8:15pm. Look out for the sign with your restaurant!

Doreen Thierauf & Lauren Pinkerton
Co-Chairs, British Women Writers Conference 2017
University of North Carolina at Chapel Hill
Twitter: @bwwc2017
Announcements, BWWC

Transgender 101 Workshop and Discussion @ BWWC2017

A Conversation about Best Practices for Supporting Transgender Folks in Higher Education & Beyond

This special session, organized and run by Lisa Hager (University of Wisconsin, Waukesha), will be held on Saturday, June 24, 2017, 3:15-4:45, in the Incubator, Hyde Hall. Link to website

trans-banner

A central part of the ethos of the Eighteenth- and Nineteenth-Century British Women Writers Association (BWWA) has always been its feminist politics—both in the scholarship on women writers it supports and its commitment to the work and professionalization of graduate students. If we want to continue to build on this legacy, we must make the BWWA’s feminist politics a truly trans-inclusive feminist politics.

Consequently, as we celebrate the BWWA’s twenty-fifth anniversary here in Chapel Hill, North Carolina, it is our responsibility to acknowledge and witness the violence, be it legal, physical, or social, that has been done to transgender and gender non-forming North Carolinians as a result of HB2 and its recent problematic “repeal.” We must also use this conference as a space to educate ourselves on transgender and gender non-conforming identities and issues so that we can support the lives and activism of transgender and gender non-conforming people in our workplaces and communities.

To these ends, this workshop will include the following three parts:

  • A basic introduction to transgender and gender non-conforming identities and key related concepts (please note: this portion of the session will assume no prior knowledge of these terms and concepts);
  • A discussion of North Carolina’s HB2, the grassroots activism of local LGBTQ organizations around this issue, and the deeply problematic repeal of this law;
  • A conversation about practical methods of welcoming LGBTQ+ people, especially transgender and gender non-conforming people, in higher education and our daily lives;
  • The goal of this session is to begin a thoughtful and ongoing conversation about and foster activism around issues of gender identity and sexuality in the BWWA, our home institutions, our communities, and our families.

All are welcome!