For scholars of 18th-19th century British women writers
Welcome to the website for the 18th– and 19th-Century British Women Writers Association (BWWA). The BWWA and its conference (the BWWC) provide a forum to discuss women’s writing—writing which has been historically overlooked, ignored, or excluded from the canon.
Next Conference: The 24th Annual BWWC, “Making a Scene,” will be hosted by the University of Georgia (Athens), June 2-5, 2016. Visit the conference website for the call for papers and more details.
To contact the BWWA, please send an email to email@example.com.
Chairpersons of the Board: Pamela Corpron Parker and Donelle Ruwe
Treasurer: Donelle Ruwe
Director of Communication: Lisa Hager
Editor of the Newsletter: Troy J. Bassett
Webmasters: Troy J. Bassett, Kirstyn Leuner
Board members: Roxanne Eberle and Cheryl Wilson
At-large Board: Current and past conference co-chairs
The Conference on Eighteenth- and Nineteenth-Century British Women Writers originated in 1991 when a group of graduate students from the Universities of Oregon and Washington noted and were troubled by the lack of presentations on women writers during a regional British Studies conference. In between sessions, we discussed the possibility of organizing a conference focused solely on women’s writing—particularly those writers who have been historically overlooked, ignored, or excluded from the canon. By encouraging important archival work on lesser-known women writers and by inviting divergent critical approaches to a broad variety of texts, we hoped to expand the range of critical approaches for both scholars and students, researchers and teachers. Our desire to revise the conventional canon was matched by our desire to reconstruct the conventional conference format. We sought to break down traditional hierarchies by allowing more space for graduate student voices, an initiative that is closely connected to the critical and pedagogical work of creating space for historical women to speak.
In focusing on British women’s literature and culture, we neither imply the existence of an essentially female literary tradition nor an exclusively white literary past. Instead, we hope that the focus on Britain will provide a specific cultural context in which we can investigate a dense and complicated intersection of colonial and national subjects as well as gender and racial issues. The eighteenth and nineteenth centuries offer a distinctive period in British women’s history, starting with the rise of organized feminism, developing into the feminization of literary culture, and leading into the various movements of modern, twentieth-century feminism. In exploring the agency of women in literary history, we hope to encourage the creation of richer, more complex cultural tradition, incorporating a wide range of interdisciplinary interests. Likewise, the conjunction of the eighteenth and nineteenth centuries encourages a re-examination of the existing constructs of traditional literary historiography, especially in the ways that women’s literary history tends to break down canonical divisions between eighteenth- and nineteenth-century culture, such as the “Augustan” and “Romantic,” and the “Romantic” and “Victorian” periods. (Excerpted from the introduction to Nineteenth-Century Contexts, vol. 19 .)
By Pamela Corpron Parker and Cindy LaCom
BWWA Mission Statement and By-Laws: Download PDF
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Header image: Portrait of Frances Moore Brooke by Catherine Read (1723-1778) Public domain, via Wikimedia Commons