CFP for 2022 BWWC

The organizers of the 2022 BWWC invite papers and panel proposals interpreting the theme of “Borders” in global British women’s writing across the long eighteenth and nineteenth centuries. This year’s BWWC calls for papers that contextualize that history bearing in mind changes in the field itself, as it turns towards the global and the transatlantic. “Borders” may be broadly interpreted to include scholarship concerning borders within and among scholarly disciplines, borders within form and genre, political and geographical borders, socio-economic boundaries and borders, and borders among individuals or identities, especially between and within historically marginalized racial and ethnic communities.

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Baylor University, Waco, Texas, welcomes scholars to the website for the Thirtieth Annual British Women Writers Association conference, May 19-21, 2022! The BWWC 2022 theme of “Borders” and the supporting logo encourage reflection about widening the borders of the discipline. Who is included among the writers studied? What geographic boundaries could expand to include overlooked, colonized, or misrepresented lands? How might contemporary scholars disrupt historical boundaries between literatures, people, cultures, and disciplines to uncover and make evident intersectionality?

To start the conversation and to encourage dialogue about these questions, this website offers an interactive discussion forum where association and conference participants can engage with one another in the months and days ahead of the conference. Join the discussion here.

About the Logo

The conference logo is designed with two purposes: to foreground diverse voices of women writers from the long eighteenth and nineteenth centuries and to show, through its circular structure, a commitment to equity and welcoming. The circular “border” line around the outside of the inner circle gives the logo movement, creating the sense of borders widening. Writers represented in the logo are (from the center top, clockwise): Mary Seacole, Toru Dutt, Isabella Bird, Krupabai Satthianadan, Phillis Wheatley, and Lady Mary Wortley Montagu. The background image is a map drawn by Shanawdithit, a member of the Beothuk people from what is now called Newfoundland. Shanawdithit (1801-1829) documented the culture of the Beothuk nation.

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